

We construct identities, roles and places in order to locate ourselves, and to create the illusion of stability, but we encounter the world around us transitively. With the increased pace of life and apparent ease of global travel, are we all simply becoming tourists, and if so, how can a dialogue with the local and the seemingly every day be encouraged? Exploring notions of ‘place’, our many and varied relationships with space, and the objects we surround ourselves with, Victoria Foster investigates how art can influence and encourage the viewer to engage with their surroundings.



Please click on the Art Car Boot Fair link for full details
'The Art Car BootFair was an idea that grew out of a desire to pick up where Joshua Compston’s ‘Fete Worse than Death’ and Gavin Turk’s ‘Livestock Market’ and Articultural Shows’ blazed a trail in the 90’s and to re-introduce some summer fun and frivolity into a thriving but increasingly commercial London art scene. We aim for the Art Car Boot Fair to be a day when the artists let their hair down and for all-comers to engage with art in a totally informal way, and to pick up some real art bargains to boot! Participation in the Art Car Boot Fair is by invitation and referral by original ‘booters’ only.'

SARAH CHRISTENSEN - JODIE COOPER - DAN DAVIES - BEN FLETCHER - VICTORIA FOSTER - LISA HALL - SIOBHAN MCGHEE
Hugging for the English was a group exhibition located at Substation, Margate. The exhibition aimed to transcend the boundaries between viewer and artwork to the extent that without the viewer, much of the works would remain incomplete. Many of the works and events were inspired by various different influences from within the town itself. Whilst it was situated in present-day Margate, the past was not forgotten.



1. Lisa Hall 2. Dan Davies 3. Victoria Foster

Victoria Foster used the B&B gallery as an installation space to present a collection of hand-crafted porcelain barnacles. Barnacles are often found in artificial symbiosis with man-made structures, often to the structure’s detriment. In this case these barnacles will be grew in the crevices of the gallery, attaching themselves to the floor, wall, and furniture.
This interplay between structural entropy and organic growth can be seen as a metaphor of the current situation in Folkestone, a seaside town poised between disrepair and regeneration. The installation of this site-specific piece, with its historical and social considerations, provided a space for debate of these various local issues.



1. Mark Heywood 2. Victoria Foster 3. Ceci Lombardi
'Voyage of Discovery' BBC Collective Review by Freire Barnes
'On 21 December 1872, the HMS Challenger sailed from Portsmouth on a three-year voyage of marine exploration. On 30 June 2007 three emerging artists – members of the O-Collective - embarked on their own adventure, that of transforming a little gallery space in Folkestone. Part parlor and part scientific display space, the former B&B now houses organic watercolour studies by Ceci Lombardi that look as if they have been dragged up from the bottom of the ocean.
Victoria Foster heightens the submarine theme, her handcrafted porcelain barnacles taking up residence in any nook and cranny, invading the space with their mouldy crust. Far more clinical is Mark Hayward's 11-part screenprint presenting the cohesive progression of 19th-century ship design. With his animation showreel - Boom! Boom! Boom! being the most humorous – all that is needed is a stick of rock and windswept hair for the perfect English seaside experience.'